If you see me, weep (2026) for any five instruments, commissioned by the Glendale Community College New Music Group

Doppio (2026) for oboe and double bass, commissioned by Doubles Duo

Rauschen (2024) for percussion quintet, commissioned by the University of Delaware Graduate Percussion group

Bone Dice(2022/23) for percussion quartet, commissioned by Sandbox Percussion

For Linda Catlin Smith(2022/23) for clarinet, violin, cello, and piano, commissioned by Unheard-of//Ensemble

Confection I (2023) for three bassoons and two double basses (8’) commissioned by New Downbeat

Games (2023)* for two trumpets, trombone, and bass trombone (10’), also arr. for brass quintet

Lunch (2023)* for piano four hands (8’) adapted from Lunch (2018)

Quartet(2022)* for violin, viola, cello, double bass, and percussion (8’) adapted from Quietism

Quietism (2022)* for viola, cello, and percussion (6-7’) commissioned by the Walden School for the Warp Trio

forgetting(2021/2022) for piano, synthesizer, and two percussionists (11’) commissioned by the icarus Quartet

Good Dream (2021)* for vibraphone, cello, and piano, for Adam Holmes, Nick Photinos, and Karl Larson

Sea Glass Partita(2021)* for soprano and bassoon, also arranged for soprano and baritone saxophone (10’) text by bassoonist Eleni Katz, commissioned by Eleni Katz

The End of Seasons(2021)* for violin and piano (10’) commissioned by violinist Ilana Zaks and pianist Anthony Ratinov

Speaking in Static(2020)* for string quartet (8’) written for the Omer Quartet

All mute things speak today(2019)* for soprano and double bass (6.5’) written for soprano Anika Kildegaard and bassist Will Yager

Day Eight(2019)* for soprano and violin (4’) written for Duo Cortona (Rachel Calloway and Ari Streisfeld)

Lunch (2019)* for vibraphone and marimba (7.5’) written for percussionists Maddy Dethloff and Sam Carullo

What the big voice said(2018)* for two violins, cello, and percussion, also arranged for string orchestra and percussion (at least 5’) commissioned by the Blair School of Music and the Royal Academy of Music through the Vanderbilt London Exchange

Breakfast(2017)for voice (any type) and clarinet (6’) written for clarinetist Keeheon Nam and soprano Samantha Long

The Scroobious Pip (2017)* for soprano and piano, text by Edward Lear (6’)

Dances(2017) two movements for clarinet, viola, and cello (9’) commissioned by the Atlantic Music Festival

The gray, the green and blue(2016) for flute, oboe, clarinet, bassoon, and percussion (6’)

Haiku of Issa and Bashō (2016) for tenor, cello, and piano, text by Kobayashi Issa and Matsuo Bashō (7’)

Sonnet 116 (2016) for tenor and piano, text by William Shakespeare (3’)

Until (2016) for soprano voice, alto voice, viola, and trombone,  also arranged for soprano voice, alto voice, viola, and cello, text by E.B. White (6’)

String Quartet in Two Movements(2015) for string quartet (12’)

To crave and to have (2026)* for orchestra (14’)

Dinner (2024) for Alarm Will Sound, commissioned by the Mizzou International Composers Festival

Songs at Night(2024) for soprano and sinfonietta (60’) text by Anna Margolin, projection design by Camilla Tassi, commissioned by Contemporaneous

To crave and to have (2022)* for sinfonietta or chamber orchestra (14’)

To crave and to have(2022)* for string orchestra (14’) commissioned by the 2022 Next Festival of Emerging Artists

eeanduh(2021)* for orchestra (7’) for the Yale Philharmonia

Four Songs at Night(2021)* for soprano and sinfonietta--flute, bassoon, horn, piano, two violins, viola, cello, and double bass (22’) text by Anna Margolin, projection design by Camilla Tassi

For Ellen Arkbro(2021)* for organ and brass ensemble—minimum six trumpets, three trombones, two tubas, or as many as you can possibly get (25-30’)

Bad Dream (2021) for flute, clarinet, piano, percussion, violin, viola, cello, and double bass (7’) commissioned by the 2021 Bang on a Can Summer Festival

At a Distance (2017) for orchestra (6’) commissioned by the Atlantic Music Festival Orchestra

A Swim (2015) for chamber orchestra (7’)

Agon (2025) for solo piano (3’) commissioned by Anthony Ratinov

Chaconne (2022)* for solo marimba (8.5’) commissioned by Intersection for percussionist Ji Hye Jung

music for a dance (2021/2022)* for solo piano, composed for choreographer Emily Coates and pianist Melvin Chen

Two Triangles (2022)* for solo multi percussion (12’)

Sea Glass Partita (2021)* for solo singing bassoonist, also arranged for soprano and bassoon, and soprano and baritone saxophone (10’) text by bassoonist Eleni Katz, commissioned by Eleni Katz

Saving Your Valued Elms (2020)* for solo baritone voice (7’), commissioned by the Yale Institute of Sacred Music for baritone Christopher Talbot

Radio Blink (2020) for solo piano (10’) commissioned by pianist Michael Kirkendoll

Flying Night Train (2020)* for solo cello (6’) commissioned by The Cortona Sessions for New Music, for cellist Kivie Kahn-Lipman

Talk Radio (2019/2020) for solo tuba and live electronics (10’) commissioned by tubist Logan Owens

Don’t look for me where birds sing (2018)* for percussion and fixed-media electronics (5.5’) written for percussionist Maddy Dethloff

Tennessee Air (2018)* for tenor trombone and fixed electronics (13’) commissioned by trombonist Hiram Rodriguez

Field Guide (2018) for solo trumpet (9’) commissioned by trumpeter Allie Bridger

Red Hands (2016)* for solo violin (3’) commissioned by violinist Hesoo Cha

For Solo Oboe (2016) for solo oboe (3’)

In an Empty Place (2016) for solo piano (5’)

Why should I lie? (2026) for soprano and piano, words by Lila Meretzky

Songs of Travel (2026) by Ralph Vaughan Williams, arr. Lila Meretzky, for mezzo-soprano, flute, clarinet, violin, double bass, accordion, and harp

To the Rain (2025) for SSAA choir, commissioned by C4 and Brooklyn Youth Chorus, text by Ursula K. Le Guin

Rounds (2023-ongoing) for SSAA choir

XVIII(2019)* for SATB choir and piano, text by A.E. Housman (3’)

Wayfaring Stranger(2019)* for SATB choir (4’)

Song(2019)* for SATB choir, text by William Blake (3’)

Savior of the Nations, Come! (2019)* for SATB choir and piano (3’)

Thine Eyes Still Shined (2014) for SATB chorus, text by Ralph Waldo Emerson (3’)

All mute things speak today (2019/2020) collaborative installation with the Vanderbilt University Department of Visual Art

Electronic suite (2018) for fixed electronics, audio component of a solo installation at the Memphis-area Wysteria festival (40’)

A Long Journey Finished (2017) for fixed electronics (4’)

transformations (2022) for ensemble of any number of strings, commissioned by the 2022 Next Festival of Emerging Artists for choreographer Hannah Victoria Thomas

music for a dance (2021/2022)* for solo piano, composed for choreographer Emily Coates and pianist Melvin Chen

Connection Through Isolation (2020) for fixed electronics (5’) commissioned by choreographer Caitlin Elledge for X Contemporary Dance, Nashville, TN

Songs from a Cold Heart (2020) for solo electric guitar and electronics (9’) commissioned by choreographer Mariana Oliveria with the Nashville Ballet

Third Voice (2019) fixed electronics (23’) in collaboration with choreographer Lizzie Graves, commissioned by New Dialect dance company, Nashville, TN