Composers Concordance: Generations XIV with the Emerald Trio
The Emerald Trio premieres my piece 3 × 5 on a program of premieres with Composers Concordance.
Downtown Voices & The Dessoff Choirs present: Verdi’s Requiem (Night 1)
In celebration of its 100th anniversary, The Dessoff Choirs joins forces with Trinity Choir, Downtown Voices (in which I’m an alto), and NOVUS to take the audience on a soul-stirring journey through Giuseppe Verdi’s Requiem. The epic work is paired with the world premiere of an exciting new choral work by Pulitzer Prize–winning composer Tania León, commissioned for Dessoff’s centennial. Leading the powerful performance is Grammy-nominated conductor Malcolm J. Merriweather, director of the New York Philharmonic Chorus and music director of The Dessoff Choirs.
Downtown Voices & The Dessoff Choirs present: Verdi’s Requiem (Night 2)
In celebration of its 100th anniversary, The Dessoff Choirs joins forces with Trinity Choir, Downtown Voices (in which I’m an alto), and NOVUS to take the audience on a soul-stirring journey through Giuseppe Verdi’s Requiem. The epic work is paired with the world premiere of an exciting new choral work by Pulitzer Prize–winning composer Tania León, commissioned for Dessoff’s centennial. Leading the powerful performance is Grammy-nominated conductor Malcolm J. Merriweather, director of the New York Philharmonic Chorus and music director of The Dessoff Choirs.
American Composers Orchestra EarShot Readings: Lawrence University
My piece To crave and to have has been selected for American Composer’s Orchestra’s EarShot reading at Lawrence University with mentor composers Joanne Metcalf, Asha Srinivasan & Marcos Balter. More info soon! https://www.americancomposers.org/post/spring-2025-earshot-readings-and-colaboratory-events
New Downbeat: 6th Annual Premieres Concert
Join the Cincinnati-based chamber music collective New Downbeat for their 6th annual Composers-in-Residence Premieres Concert! A FREE concert featuring world premieres written by their Composers-in-Residence, you won't want to miss it! Featuring the premiere of my “Slip Slip Knit” for Molly Rains, violin and Muning Wang, viola. For more information, visit: https://www.newdownbeat.com/events/premiers-concert-s6
Dr. Christin Schillinger performs New York Women Composers
In collaboration with New York Women Composers with support from their Seed Money Grant, Ithaca College bassoon faculty Dr. Christin Schillinger presents a program by members, featuring Sea Glass Partita.
Doubles Duo: Vignettes and Parables
My wonderful friends Jillian Honn (oboe) and Zack Merkovsky (bass) of Doubles Duo present a free program near Syracuse, NY, including my piece All mute things speak today. For more information, visit them on Instagram at @doublesduo or at https://www.doublesduonewmusic.com/
C4 and Brooklyn Youth Chorus Present: Awestuck—Songs of Science and Spirituality
C4: The Choral Composer/Conductor Collective is thrilled to announce an extraordinary collaboration with the Brooklyn Youth Chorus this March! Featuring three new pieces by C4 members Karen Siegel, Lila Meretzky and Jamie Klenetsky-Fay, save the date for this unforgettable evening!
Premiere of To the Rain by Lila Meretzky, with text by Ursula K. Le Guin
Performed by Brooklyn Youth Chorus Junior Ensemble and C4, Liz Geisewite, conductor
C4 and Brooklyn Youth Chorus Present: Awestuck—Songs of Science and Spirituality
C4: The Choral Composer/Conductor Collective is thrilled to announce an extraordinary collaboration with the Brooklyn Youth Chorus this March! Featuring three new pieces by C4 members Karen Siegel, Lila Meretzky and Jamie Klenetsky-Fay, save the date for this unforgettable evening!
Premiere of To the Rain by Lila Meretzky, with text by Ursula K. Le Guin
Performed by Brooklyn Youth Chorus Junior Ensemble and C4, Liz Geisewite, conductor
Downtown Voices & Amor Artis Present: Musical Multitudes
Downtown Voices (in which I’m an alto) and chamber chorus Amor Artis take on a set of monumental works: Frank Martin’s Mass for Double Choir, a deeply spiritual and intricate composition; Thomas Tallis’s Spem in Alium, a 40-part Renaissance motet; and Orazio Benevoli’s Missa Tu es Petrus (for four choirs), featuring opulent Baroque textures and counterpoint.